Work and Webinar

Today I attended RGD's Through the Looking Glass Webinar with Michael Deal geared towards design students. While I'm not technically a student anymore, it was still very relevant. Deal spoke mainly about his career path and how he ended up creating his more famous work.

I was told many times that I would need to do something different to land an awesome job, I would need to somehow stand out against all of the other applicants. Michael Deal took that advice to heart and came up with a couple of really awesome solutions.

His first solution (which unfortunately I could not find an image of) was inspired by the work of one of his favourite studio's (Alphabet Arm Design). Deal took a number of their logos and used them to create a message asking the recipient to view his resume. By maintaining the colour and style of the logos, he was able to change the words inside, creating a unique cover letter for his resume.

The second time Deal approached the job hunt he was applying to be a designer for Zoo York. To make himself stand out he created a few t-shirt illustrations for the brand. This clearly demonstrated his interest in the position and helped him secure a freelance position.

The third story Michael Deal told about finding a job was a time when someone else came to him looking to hire him. When Deal graduated he had partially completed an infographic titled Charting the Beetles. After working on the project further he posted it on his website, this attracted clients and resulted in his project for Umbro.

At the end of the webinar the host asked a couple typical questions; "What do you wish you knew as a student?", and even more relevant, "What advice do you have for recent graduates?" At first he didn't know what to say, hoping to come up with something more original. Eventually he decided to pass on the advice that worked for him, do something unique and make yourself stand out. Deal spoke about how while he was working on these solutions he worried that he was putting too many eggs in one basket, he quickly came to the conclusion that it really does work. Putting as much effort as possible into an application can really make you stand out.

Check out his website or his blog for visuals.

Burning Questions

My last post was almost a month ago, but I'm still thinking about the same thing, a talk the RGD put on at the Design Exchange in Toronto about the future of book publication.

On the day of the event I arrived with many others to an already full room. More chairs were put out by the excellent staff and the event got on it's way. After rummaging through my purse for almost five minutes, I finally found my pen and notebook and began to furiously write things down. Throughout the talk I felt like I was nodding to everything that was said; yes the music industry did go through this, yes this could lead to wild add ons and yes, we don't know what will actually happen. I was surprised when one of the speakers noted that she expected significant change in six months, she thought that in six months we could better predict where the future of books was going. Before going to the talk I didn't realize that things were changing so rapidly, I did buy a tablet, but I thought I was the minority, not the majority.

During the talk I noted a lot of other things. For your reading pleasure and to help refresh myself, here is what I found more interesting at the RGD's Book: Burning Questions. (Don't mind the length, I just enjoyed almost everything that was said.)

• digital sales account for 27%

• can compare to the changes in music, but music was only one sense

(sound), books have more, need a visual to accompany the book

• new ideas for books: book trailers, incorporate videos into books

• books could become more of a premium product and design will

go up OR books could become extremely inexpensive and design

would go down

• Is this a cultural shift? Will it change the way authors write?

Kindles are similar, but iPad doesn't maintain the classic feel,

physical books give readers more control (forward and back)

• vooks: video book, can't be a long format with video, too much

going on at once

• books can be added to with separate elements, but incorporating

video into the book really changed the book

• e-books can eliminate editors and publishers, everyone can publish

• designers used to choose paper, margins, fonts, now with e-books

we have lost the ability to control how people see the book

• designing e-books will be like designing websites, have to make

them work on a number of devices

• users are gaining control over designers in how they view the book,

can change font and font size

• people steal music, now they could start to steal books, creates an issue

• Will younger people be more engaged with e-books than regular books?

• books used to be a snapshot in time, published one a certain date, books

will now be refresh-able

• art books may become more cherished, luxury item

• publishers are slowly starting to think more about the format

(book or e-book)

• real books may become more limited, smaller runs in addition to e-books

• after a good book you miss the characters like you would a good friend,

e-readers don't affect this

• "the train is already moving", "it is what it is", it's too late to stop e-readers

now, might as well go with it, make the best of it

• with book covers you have to appeal to so many tastes, each level of

approval presents a sort of gate keeper

• buyers have a challenging time, they need to continue to sell books to

survive in the market

• tragic that independent booksellers will go by the wayside

• for cover design we often get advice that has nothing to back us up,

no tools, no stats

• people have been liberated to self publish, many have a hard time selling,

they are missing the editor, editor has a very important role, they are much

more than proofreaders

• people still need editors and publishers even if they are creating e-books

• buying books online is so different than in a book store, online, books need

to be easily searchable, in person, people may just pick a book up because

it looks cool

• people will no longer be recommended books by bookstore employees,

similar to how record store employees knew regulars' taste and

made recommendations

• book publishing has been very slow to change over the last 100 years,

now things are changing every five minutes

• online people don't scroll, they don't notice pretty covers, they often

use "what others bought" section to decide

• for online, now they are starting to consider designing two covers, one for

in person and one optimized for online (preview thumbnail)

• a networked book may be created (see who is referencing the book,

what are people saying, how do they feel about it) to oppose the

traditional book

• books are currently a private experience, you dive in and use it to get away

• people will become more public with their opinions about books,

Tweeting and Facebooking as they read

• new choose your own ending may have a resurgence, Would authors

become more involved in creating additional elements? Will they

help with the design process? e-books make more sense with non-fiction

don't want to move to the Hollywood scenario with books

• Will content and design become more intertwined? co-production

• designers will have to help authors choose whether to do an e-book

or a physical book or both

• press jobs are now being traded for digital jobs, more designers,

less tradespeople

• people want designers to become technologists, but that is not our role

• when web first started designers did it all, now there are web designers

and book designers, soon there will be print designers and digital print

designers, there will also be hybrids

• Trends: fewer hardcovers, books will be more precious and expensive

(rather than cheap and digital ideally), books will now compete with

candles and home décor along with e-readers (Chapters, Indigo),

designers will have to create a reason for consumers to buy both,

digital vs. printed will need added features unique to each media

• hard to say what will be available a year from now for e-books,

will move past the cover

• music, now they have more niche bands that are very popular

but not top 40, Will this happen to authors?

• self-publishers will have a hard time with marketing, how will

they get their books in the hands of vendors

• e-readers will create interesting new hybrid careers

• Does pushing technology devalue the content? people put less

value on individual books because they they had to buy expensive

technology to get these products

• the cheaper the book becomes, the less perceived value

• open-source vs. copywrited books

• if you don't pay for content, there will be no content (quality content)

• in the beginning designers had to learn how to talk to typesetters, now

they have to learn to talk to coders

• print per order, printing only when a book is ordered will help publishers

save money (print on demand)

• Could adding characters on Facebook add more depth to characters?

• Technology will add more dimension, but will it create more revenue?

the internet is free, we don't want to pay for online

• the author's job is to manipulate the readers imagination, Will these added

features create a more true form or will it ruin things? Do we even need

added features for books?

• book vs. book movie, I don't like being told how to imagine the book, ruins

the book for me

• added features will only enhance certain types of books

• the experimentation phase may be very cheesy and distracting

• authors will write differently when they know they have added features

I hope you enjoyed these notes as much as I enjoyed the event.